In 1994 Terry Smith began a series of site specific building interventions, creating his first wall cuttings in houses ready to be demolished and producing work often inaccessible to the public. Works that evolved from this period include Capital, 1995 an intervention in Gallery 49 at the British Museum; six wall cuttings at Tate Modern during its reconstruction in 1996, and at MACBA, Barcelona where he fired 35,000 staples - 1m wide and 25m long - into the walls of the museum. Preoccupied with exploring and experimenting in new media, recent projects by Smith, have included Broken Voices, The Foundling and in 2011 Caracol, a work made in Caracas, with twenty five singers. His most recent exhibition, Parallax, was a survey show of his work at the John Hansard Gallery in Southampton, curated by David Thorp. Smith is currently working on a project in Cuba with musicians and dancers

Ladder Parallax (1996/2011)

Firework / Sparks (2005/2006)

Drawings (1994-2011)